Archive/ The Vault/The Book of Shadows
The Vault · Manuscripts & Codices
The Book of Shadows: The Making of Wicca
In the archive
- Held
- Gerald Gardner's own manuscripts in private hands; copied by hand by generations of initiates
- Date evidence
- Begun c. 1946–1949 as 'Ye Bok of ye Art Magical'; revised through the 1950s
- Era
- Era IX · The Modern Age
- In the archive
- Wicca & Modern Paganism
Some time in the late 1940s, a retired British customs officer named Gerald Gardner began filling a leather-bound notebook with rituals, charms and invocations, written in mock-archaic spelling: Ye Bok of ye Art Magical. Gardner said he had been initiated in 1939 into a coven of hereditary witches in the New Forest, the survivors of an ancient pagan religion. His notebook, renamed the Book of Shadows, became the ritual book of the religion he launched, Wicca. Every new initiate was expected to copy it out by hand.
The making of a book
How a private notebook became the scripture of a new religion.
- 1939 The claimed initiation: Gardner later said he was initiated this year into a coven in the New Forest. Whether such a coven existed, and what it practised, is debated.
- c. 1946–49 Ye Bok of ye Art Magical: Gardner writes rituals, charms and notes in a leather-bound notebook in mock-archaic spelling, drawing on Crowley, ceremonial magic and folklore.
- 1951 The law repealed: England's Witchcraft Act of 1735 is replaced by the Fraudulent Mediums Act. Gardner begins to publicise his witchcraft.
- 1953 Doreen Valiente: Valiente is initiated. She persuades Gardner to cut much of the Crowley material and rewrites key texts, including the Charge of the Goddess, in her own words.
- 1954 Witchcraft Today: Gardner's book presents the witch cult to the public. The Book of Shadows itself remains secret, copied by hand by each initiate.
- 1964 The Rede: Valiente speaks the couplet 'Eight words the Wiccan Rede fulfil: an it harm none, do what ye will', the best-known form of Wicca's ethic.
- 1999 The historians' verdict: Ronald Hutton's The Triumph of the Moon traces Wicca's sources and treats it as a new religion of the twentieth century.
Study the object
Gardnerian Books of Shadows are oath-bound; published versions differ and are not reproduced here.
The holding institution's own viewers
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The book
- A working ritual manual: the casting of the circle, the calling of the quarters, initiation rites for three degrees, seasonal festivals, and the Charge of the Goddess.
- It changed constantly. Gardner revised it through the 1950s, and his students adapted it; there was never one fixed text.
- It is oath-bound: in traditional (Gardnerian and Alexandrian) covens, its contents are kept secret. Versions have been published, and they differ.
Doreen Valiente
In 1953 Doreen Valiente was initiated into Gardner's coven. She saw that much of the book came from the writings of Aleister Crowley (see V73) and from ceremonial magic, and she feared this would discredit the Craft. Gardner invited her to rewrite. Her poetic version of the Charge of the Goddess, in which the Goddess speaks to her worshippers, is now one of the best-known texts of modern Paganism. In 1964 she gave the first known public form of the Wiccan Rede: "Eight words the Wiccan Rede fulfil: an it harm none, do what ye will."
Where did it come from?
Gardner presented the rites as ancient. Historians, above all Ronald Hutton in The Triumph of the Moon (1999), have traced them to sources of the nineteenth and twentieth centuries: Crowley, the Golden Dawn, Charles Leland's Aradia (1899), Freemasonry, folklore, and Margaret Murray's theory of a surviving witch cult, which historians of the witch trials reject (see The Witch Trials, ch32). Whether Gardner met any real group of practising witches before he wrote is uncertain; some researchers have argued for a New Forest group of some kind, but no evidence shows it continued an ancient religion.
Symbology and sacred encoding
The circle and the pentacle. The rites centre on the magic circle, cast to make a sacred space, and the pentacle, a disc marked with a five-pointed star and other signs, taken from ceremonial magic.
A copied book. The instruction to copy the book by hand made each initiate's copy a record of their own lineage, and handwriting itself part of the tradition.
The Goddess and the God. The book gave form to Wicca's pair of deities, the Goddess and the Horned God (see the Pantheon).
Connections
Wicca & Modern Paganism (ch38), with The Witch Trials (ch32) for the history Gardner claimed. Compare the Book of the Law (V73), from which some of its words came.
What's well supported by the evidence
- A ritual manual begun by Gerald Gardner in the late 1940s, revised with Doreen Valiente in the 1950s, and the foundation of Wicca.
- Its borrowings from Crowley, ceremonial magic, Leland and folklore.
What is not supported
- That its rites preserve an ancient pagan witch religion.
What's genuinely open
- Whether Gardner met a pre-existing group in the New Forest, and what it practised.
Sources
The book and its makers
- "Book of Shadows", https://en.wikipedia.org/wiki/Book_of_Shadows
- "Doreen Valiente", https://en.wikipedia.org/wiki/Doreen_Valiente
- "Charge of the Goddess", https://en.wikipedia.org/wiki/Charge_of_the_Goddess
- "Wiccan Rede", https://en.wikipedia.org/wiki/Wiccan_Rede
- The Doreen Valiente Foundation, https://www.doreenvaliente.org/
Studies
- R. Hutton, The Triumph of the Moon: A History of Modern Pagan Witchcraft (Oxford University Press, 1999)
- A. Kelly, Crafting the Art of Magic (Llewellyn, 1991)
- "The Influence of Aleister Crowley upon 'Ye Bok of ye Art Magical'", https://hermetic.com/crowley/other/the-influence-of-aleister-crowley
From The Divine Archives · https://getconexto.com/vault/book-of-shadows.html